![]() ![]() Fourth hearing: notate the chord carefully, checking solfege and key signatures to eliminate notation errors.If the chord is inverted, then figure out which solfege is the lowest pitch. This will help you figure out what key you’re in – and by extension, what accidentals you must notate when you write down the chord. ![]() Third hearing: figure out the solfege of the chord you’ve identified, as it would appear in root position.Second hearing: use your knowledge of function and intervals to determine the chord quality.(This can sometimes help you identify both the chord quality and inversion on the very first hearing!) Can’t hear a second? The chord must be dd 7, which you may always identify as root position in this class, or another of the seventh chords in root position. First hearing: is the chord inverted or in root position? Listen out for the interval of a minor or major second. ![]() The suggested procedure for correctly identifying and notating seventh chords is as follows: Remember, everything is easier when you have a procedure. These are not the only possible first questions! Invent your own and share them with your study buddies.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |